Monday, January 5, 2009

Stopover at Siam Reap: Angkor Wat!

Sorry for the lack of posts recently but naturally I'm spending my holidays with my family overdosing on turkey and doing all those family thingies that people do.

I also decided to take a break from exploring webcomics and switched to exploring a real life destination that was on the "list of things to do before I die". So I spent my Christmas and the few days thereafter in Siam Reap, Cambodia.

Just a fair warning, this post has almost next to nothing regarding webcomics.

Prior to my trip I really didn't know much about Cambodia except for the tragedies of the Khemer Rouge, landmines and Angkor Wat. So visiting Cambodia, albeit as a touristy tourist, is something new to me.

Siam Reap (meaning "The Siamese Defeated"), is called such after the Cambodians repelled the Siamese occupiers who had had hold over the land for a few hundred years. This is also why the tension between the Thai-Cambodian border is so tense at the moment, as the Cambodian fear a repeat of being under Siamese rule. Back to the topic, Siam Reap is not the capital of Cambodia (Phenom Penh is) but merits its own international airport due to its proximity to the much vaunted Angkor Wat. This is the place most tourists go when they come to see the famous temple.

The advantage of a notebook and a well-stocked pencil-case is I can continue comicking while waiting in between connecting flights. Mind you, you may be subject to curious onlookers. It's amazing how random people start coming up to you and strike up a conversation when they see you drawing. I recently discovered the existence of chinese calligraphy brushmarkers, which are beyond awesome for inking on the run and will probably be what that makes me give up traditional brushes if I ever do.

Have sketchpad? Never be bored! iPod is optional but recommended!

The thing I noticed quickly is many of the Cambodians are very fiercely patriotic. This is reflected almost every aspect of Cambodian life, from my fiesty tour guide who frankly admitted he thought the Siamese were very "not good" people, to the motto of the local beer. (The local brew, Angkor Beer is something rather like a Carlsberg with a heavier alcohol content. Insisting on Angkor Beer for dinner will get you respected smiles from the restaurant staff it seems. "My Country, My Beer" seems to be the prevalent attitude; God help you if you prefer Singha Beer instead.)

This man was selling palm wine. I was tempted to try some but the tour guide warned us our fragile foreigner stomachs would not be able to handle it. And he's not talking about the alcohol content.

The language, Khemer, is rather reminiscent of Thai. In fact it shares about 4000 words with the neighbouring language. Given that my command of Thai is about as good as my Spanish (that is, limited to a few common and basic day to day words) I stuck to English, that seemed to get me by well enough, although the occasional sign language helps.

Poverty is prevalent behind the veil of affluence put on for the sake of the tourists. Four star hotels and even an air-conditioned mall nestle next to a dirt road pitted with holes; every time a car goes by a cloud of red laterite dust gleefully swirls around. Apparently December is the dry season in Cambodia.

Siam Reap is very dependent on the tourism industry, so much so that the recent economic crisis has hit them very hard as the expected flood of peak tourist season has been nothing but a trickle so far. While that augurs well for me as a visitor since I hate crowds, there is a rather melancholy feeling when you're sitting in a half-filled restaurant that was obviously prepared to cater for more people than your humble self.

The christmas turkey is almost visible in this picture.

The dependence on tourism is so much so that the money used is transanctions in Siam Reap is a bizarre mix of US dollars and local Cambodian Riels. That is, anything above the value of 1 US dollar is traded for in US dollars, anything less than that is traded for in Riels. So Riels are something like the paper replacements for coins, which does not seem to exist here. It also involves some mental arithmetic since 1 US = 4200 Riels so if something costs $1.30 USD you end up paying 1 US dollar and 1200 Riels (I don't think I've even seen anything smaller than a 100 Riel note, so they write off the extra Riels). Odd, but interesting system.

The whole of Siam Reap however, is more or less centered around the Angkor Wat. With good reason, the place is bone-chillingly awe inspiring. I spent half of today walking around what I thought WAS Angkor Wat, only to find out it was not even a tenth of the entire Angkor Wat complex.

This picture was just postcard perfect.

Angkor Wat is really beyond words to describe, and even the hordes of (very) pushy hawkers trying to push souvenirs onto you can't quite take away the awe of the place. The main section of Angkor Wat reminds me of CS Lewis' decription of a "Narnia within Narnia" where what you think is the temple is actually a temple around a courtyard within which lies a smaller, more magnificent temple. And within that temple is YET another courtyard with an even smaller temple in the middle.

When in Angkor, do as the Khemers do?

Almost every inch of the walls and archways is filled with stone carvings depicting scenes from the Hindu epics of old. Each balustrade is a giant naga, a snake/dragon kind of creature which always has odd-numbered heads (with seven heads, one for each day of the week being the highest number).

In the shadow of the Naga. I'm going to so use this effect in my comics sometime.

The architecture is amazingly symmetrical and built to precision. It is so precise that if you stand at the doorway of the innermost temple, you'll see it lines up perfectly with the straight walkway to the door of the outer temple that surrounds it, and the walkway beyond that. Walking in this place is like a real life lesson in perspective.

"And the vanishing point is over there!"

Their stairs aren't particularly friendly to use though, the sharp 45-60 degree incline and piddly step width (about half the size of a normal step) will give anyone with vertigo a hard time. Once you get to the top the view is amazing though.

There is a monk up at the very top of the stairs, rather like the hermit on top of the mountain...


There is also a sense of sadness as you walk through this place as well. When you walk through the ruins of this place and realize some of the gaps in the walls are bullet-marks, and many of the statues that used to stand in the place have been plundered or damaged and left in pieces.

A stone lion standing guard.


Angkor Wat, like I said, is not the only temple in the Angkor complex. There are dozens more, and to get to them you need to hire a car or tuk-tuk (basically a cab drawn by a motorbike instead of a horse). Sometimes the trip is more interesting than the temple, especially when you pass small villages and farms on the way that can yield some interesting conversation if you press  your tour guide with the right questions. My favourite occured when we were passing an army camp on the way to Banteay Sirei.

Tour Guide: That is the Cambodian Army's shooting range. For 1 US dollar a bullet tourists can go in there to learn shoot gun. (Seeing the horrified look on my mom's face). Don't worry, Madam, only they let you use the small guns only.
Dad: (Curious) What kind of guns?
Tour Guide: (Completely straight face) AK-47s.


Of the many temples I visited, Ta Phrom stands out as the one of particular note. You may remember it from the Tomb Raider movie. Yeah, the one covered in trees.

And this is why Ta Phrom is awesome and majestic.

Well er... I like trees. And giant trees growing in ancient temples are very interesting. It just gives the who place an added facet. I really have to come up with some fictional places in one of my comics with an architecture/nature combination like this.

Angeline Jolie walked past these same roots!

On the way out I ran into a quintet who were busking with some traditional asian instruments (mostly erhus and what looked like a xylophone). They stood out from your normal buskers in one way: they were all landmine victims. Most of them were missing limbs, one of them was blind.

Me picking up a few pointers from the pros.

But their skill and cheerfulness was nothing short of inspiring, and I went home feeling a little awed and humbled that I still have two hands I can draw comics with.

So Cambodia was different. Another one of those places out of my comfort zone, but I'm glad I went.

All that said, I'm happy to be home, with all of a new year in front of me, a buffer of comics at hand and ideas for many more. The economy may suffer, and no one's immune from paycuts and layoffs, but hey... Life is still good.

Thursday, January 1, 2009

Happy New Year 2009!


I just wanted to wish everyone a good New Year (I'll give you the full details later, maybe).

Here's to a new year of comics!


Sunday, December 14, 2008

Hotspot #16: Happy Birthday. Now here's a white glove to the face!

So it was my Birthday on the 13th (last Saturday).

While I spent it in a manner that was err... interesting, what I want to talk about today is how birthdays make you think about your life and all that you have achieved and all that you haven't.

In my previous Hotspot I talked about time and comics, and the good thing about it is that it made me look beyond the present and what I wanted to be doing comic-wise, a year from now.

Let's be honest, I love my experimental comic, The Longest Sojourn. Messing around with it has taught me so much, but I don't want to be still doing it by next year. I want to be working on The Jaded by then. I fully intend to finish these two comics, and I already have another one lined up that I don't want to be starting until at least finish TLS.

The thing is, TLS is indeed on its penultimate chapter. And while that sounds tantalizingly close to completion, it's not when you bring out the math.

My chapters for TLS average at around 60 pages per chapter. I update a page every week. I'm currently close to halfway through the 2nd last chapter, so even with my conservative estimate of needing at least 100 pages more to finish the story, it's going to take me 100 weeks to finish the comic.

100 weeks is 2 years, give or take a few weeks. So regardless of what I want, I will still be doing TLS this time next year at the rate I am going.

Let me reiterate this. I do not want to still be doing TLS by next year.

And I do not intend to leave it unfinished.

Which means there is only one solution to this problem. Despite my real life commitments, difficulties and what not, I need to increase my update frequency. There is no way around it.

Sometimes, nothing is as good a motivator to a flagging schedule as asking yourself what you want to be doing the same time next year and crunching the numbers for the math.

Updating once a week = 52 pages
Updating twice a week = 104 pages

So the gauntlet is down. 

As they say: nothing to it but to do it.

Monday, December 8, 2008

Postcards #3: The Cattle Raid of Cooley

Comic: The Cattle Raid of Cooley
By: Patrick "Paddy" Brown

So I got this request to look at this comic from not an email, but one of the comments in my previous postcards.

If you like "story-oriented comics", you might consider checking out mine. "The Ulster Cycle" is a series of serials set in Iron Age Ireland and based on Irish legend. The first story, Ness, followed the daughter of the king of Ulster on a personal vengeance quest as war threatened her father's kingdom. The current one, "The Cattle Raid of Cooley", is set a couple of generations later and stars Ness's grandson, a teenage rookie border guard who has to face an invasion single-handed. It's at:

http://paddybrown.co.uk

hope you enjoy.


I'm a mythology junkie, but for some reason or other I never gave much attention to Irish mythology. I think I've have heard vaguely of the Hound of Ulster, but never quite did I look further into the myth than that. Naturally, when I popped over and had a look and Paddy Brown's site I was quite delighted to see a comic about Irish mythology of all things!

I'm not sure if it's just my connection, but for some reason the page takes a-g-e-s to load on my compy. It could be the sad excuse of my ISP of course, but something on the page seems to wreak havoc on my connection speed every time (a total of three different attempts on different days) I visit the site, which is something I do not experience on other comic sites.

It is just me? No idea, but it makes reading the comic difficult. The first page is inaccessible, due to the multiple pages on one page and the slow load speed causing some of the images to not load at all. Pity, what I can see of them seems interesting.

Hm... checking on the file sizes of the individual pages, they seem to be around 340KB or so each. Strange they should be so large for art that 's pretty much 2 colours. I can see how sticking 6 of these in a single page cause one's connection to have a heart attack. Frankly, for this style of art I would have thought a PNG would do a better job as opposed to a JPEG. Really bloated JPEGs, at that.

Since I had to skip a few pages that refused to load, it's really hard to get into the story. One thing I do note is the style of dialogue is different. In many fantasy comics, you tend to get these medieval looking characters speaking in modern Americanized english, so it's a nice change to see the characters speaking in character, so to speak. (Did I confuse anyone with the last sentence?)

The art is very nice. I love the use of lines and the style, but the use of red line on white background bugs me. It's the same argument as the first postcard: poor contrast and an unnecessary strain on the eyes. (which is my polite way of saying: "Ooo nice art... but MY EYES!).

I quite understand the want to tint greyscale art with a slightly different colour to make it a little more interesting. After all, I sepia tone my comics as well. But even in the tinted art there's still... well black. or at least, very dark areas. In my opinion, the eye-strain can be greatly reduced and the red tint still retained with a simple hue adjustment and a decrease in the colour saturation:


Original - Panel from the comic


Edited - After 60 seconds of Photoshop work

All in all, I could like this comic. It certainly piqued my interest but the harrowing experience of trying to read through the snail-speed-loading archives resulted in me backing off. I would definitely recommend shrinking the image size bloat. It seems unfair that technical issues can torpedo the chances of a comic being read, but alas, if the effort of going through the archives is greater than what the protagonist doing in the comic... it does.

Sunday, December 7, 2008

Stopover at No Rest for the Wicked: Andrea's back!


Being the ardent reader of No Rest For The Wicked that I am, I was overjoyed to find Andrea's resumed updating NRFTW again!

I first reviewed NRFTW back in some of my early journey legs. And while some comics have dropped off my reading list, NRTFW was one I faithfully followed, even during the hiatused times. I used to say that discovering NRFTW was one of the finds that made starting this blog and comic reading adventure worth it. And I still do.

So yay! I'm happy. This just made my week. I'll even call it an early birthday present!

Wednesday, December 3, 2008

Oh Gee. Thanks, Yahoo!

I'm sorry for the slow timing to the next writeup. I logged into my Yahoo! mail account to find it emptied and most of my mail missing, including the mails from people who wrote with review requests and other Webcomic Finds stuff.

Needless to say, I am very very upset. No I still haven't figured out what happened.

I'll be picking up the pieces and doing damage assessment.

If you've written to me and I've not replied, you'll know why. Feel free to resend to webcomicfinds @ Gmail.

Argh. What a mess :(

Monday, November 17, 2008

37th Leg: Dresden Codak



Comic: Dresden Codak
By: Aaron Diaz

Setting and Elements: Surreal, Sci-Fi, Semi-Futuristic
Content Type: Philosophical, Adventure, Action, Satire

Art Medium: Full Colour, Tablet
Art Style: Semi-realistic Cartoony

Is About: Kimiko, a transhumanist roboticist and her adventures dealing with her disillusionment with humanity, space robots and other things.

Website: http://dresdencodak.com
Frequency: Irregular weekly
Availability: Free

First Impressions and Presentation: I really like the website design. It's clean but not sterile, and is generously sprinkled with samples of the cartoonist's art style. Navigation is clearly linked... my only beef is I'm not sure where to start from.

You would think that clicking the Comic Archive button would solve everything but it doesn't. Yon reader is presented with a list of comics, but there's no clear indication of the beginning, so I guess I'll go by date and take the earliest one.


The Concept:

Dresden Codak is one of the first examples I've seen of a non-serialized comic. There is no clear beginning or end, it's more of a collection of stort stories and philosophical ramblings of the author. The beginning pages you can read out of order if you like, they are standalones. 

It's only up to the "Hob" storyline when things get a little more sequential and there's more a semblance of a contiguous storyline.

Don't expect your typical webcomic setup here. No siree. No-four-friends-in-an-apartment making wisecracks, no party-of-adventurers setting out to vanquish evil overlord, no band-of-freedom-fighters waging a desperate war against a robotic sentience. Oh wait... forget what I said about the last part.

By the way the title Dresden Codak doesn't really have much to do with the comic's naming. It's more of a pen name. At least, as the creator Aaron Diaz says it:

Why "Dresden Codak"? - Because I don't want to be confused with Latin sensation Aaron Diaz.


The Art:

The art for the comic is downright gorgeous. Aaron is a professional artist, and you can tell that from every panel of art, design, layout and detail in his work.

Apparently he does most of his work digitally, with computer and tablet, though many people might think he inks the art by hand and colours digitally (not so). I think I learned more about drawing just from looking at his technique and detail than I have for a long while.

Words are poor choice for describing the art really, I'll let the self-insertion do the talking:



The Writing:

As nice as the art is for this comic, the writing is the most distinctive thing here.

You know how I always complain about subpar comics with boring and cliched writing and such? And how we should all read comics that are out of our comfort zone once in a while?

Well I can assure you Dresden Codak does not fall in the boring and cliched category. This here is a comic that requires quite a bit of outside reading and thinking to grasp. I'll candidly admit I didn't get all the references to quite a few of the theological discussions. (And poof, there goes the illusion I had that I was reasonably well-read. Apparently when you start working you get depressingly practical and what you read and lose all your idealistic theory :( )

Back to the topic of the writing, the messages behind the comic are surprisingly deep and thought-provoking. The topics cover range form science, religion, psychology etc etc. One might not necessarily like or agree with them, but they do make you think. And I like comics that make me think, even when they make me think of things I'd normally wouldn't choose to think about. Lastly, I like comics that introduce new concepts and topics to me. (First time I've heard of "Transhumanism", for example.)

Oh I should also mention, this comic is unapologetically and proudly atheist. If religion is a taboo subject for you, you might not find this comfortable reading. As one of the Dresden's tagline goes: "Alienating audiences since 2005".

The Hob storyline is a merits a seperate section on the writing, being less of the standalone ramblings and more of a full blown epic storyline. There is a detailed story and characters that we have been briefly introduced to are given a deeper characterization, Some of it had me in stitches. 

It's a little easier to follow than the preceding pages, but still has quite a lot of "thinkety think" involved to understand the whole argument on why the characters do what they do.

It is a satisfying read though.


Problems:

I don't think it's a "problem" per se, but more of an on-purpose designed obstacle by the author that so much of the writing of this comic requires effort to understand. 

The thing is, many people don't really read comics to think.

Frankly? People read about star-ships and alien and fantasy elves not because they want to study alien civilizations or elven anthropology (or whatever you call the study of elven culture *chuckle*). No, they read books and comics about these things as a form of escapism from their own real lives. Even if it's for a little while.

So I suspect many readers will be attracted to something that looks like a steampunk/fantasy comic to them, and then when they start reading they're going to end up with a philosophical brickbat in the face.

And the sadistic part of me is going to giggle when they make a hasty retreat back to those comics about blond elven archers and womanizing starship captains vs space aliens.

You know, the old and comfortable well-worn stuff. And it's probably better that way.


Overall:

Dresden Codak is a well done piece of work, but it's something that isn't for everyone, and I get the impression the creator made it with a niche audience in mind. No pandering to the lowest common denominator here. 

And that's what makes it excellent in its own right.

There are cute references to obscure (or not so obscure, eg. Star Trek) things everywhere, and the Flaming Lips-que page names are (I apologize for the gamerspeak) pure win.

All in all, I find it interesting and refreshing, and a bit of a challenge. I might not exactly be checking it eagerly daily, but I will pop back once in a while to see what Kimiko and gang are up to whenever I need something to think about and want something different.


ps: I had no idea until after I had written this that Dresden Codak was the WCCA winner for 2008. Out of touch much, Ping?
ps again: Oooohhh.... guilty

The Next Leg:

Well this looks interesting. Westernized manhua? Easternized comics? Depends on how you look at it I suppose.